Sunday, September 29, 2013

THRILLER – All Star Metal Tribute To Michael Jackson


Thriller – All Star Metal Tribute To Michael Jackson


Just in time for Halloween - a KILLER THRILLER, the first ever all metal tribute to the King Of Pop, Michael Jackson, with an all-star line-up that will raise the dead!

Features outstanding performances by Chuck Billy (Testament), Danny Worsnop (Asking Alexandria), Elias Soriano (Nonpoint), Lajon Witherspoon (Sevendust), Phil Campbell (Motörhead), Doug Pinnick (King s X), Chris Jericho (Fozzy) and more!
With the amps turned up to 11 and guitars tuned low, get ready to hear the darker side of such favorites as Billie Jean, Beat It, Rock With You, Black Or White and more!

Chuck Billy (Testament)
Danny Worsnop (Asking Alexandria)
Billy Sheehan (Mr. Big)
Angelo Moore (Fishbone)
Doug Aldrich
Rudy Sarzo
Lajon Witherspoon (Sevendust)
Bruce Kulick (KISS)
Tony Franklin
Priya Panda (Diemonds)
Ron Bumblefoot Thal (Guns N Roses)
Corey Glover (Living Colour)
Phil Campbell (Motörhead)
Elias Soriano (Nonpoint)
Doug Pinnick (King s X)
Chris Jericho (Fozzy)
Paul Dianno (Iron Maiden)
Craig Goldy (Dio)
Lonnie Jordan (War) --Official Press Release

















Description / Track List

1. Thriller - Chuck Billy (Testament)
2. Man In The Mirror - Danny Worsnop (Asking Alexandria) & Billy Sheehan (Mr. Big)
3. The Way You Make Me Feel - Angelo Moore (Fishbone), Doug Aldrich (Whitesnake), & Rudy Sarzo (Queensrÿche)
4. Black Or White - Lajon Witherspoon (Sevendust), Bruce Kulick (ex-KISS), & Tony Franklin (The Firm)
5. Beat It - Priya Panda (Diemonds) & Ron Bumblefoot Thal (Guns N Roses)
6. Billy Jean - Corey Glover (Living Colour) & Phil Campbell (Motörhead)
7. Shake Your Body (Down To The Ground) - Elias Soriano (Nonpoint)
8. Rock With You - Doug Pinnick (King s X)
9. Dirty Diana - Chris Jericho (Fozzy)
10. Bad - Paul Dianno (ex-Iron Maiden) & Craig Goldy (Dio)
11. They Don t Care About Us - Icarus Witch
12. Never Can Say Goodbye - Lonnie Jordan (War)
13. Smooth Criminal - Alien Ant Farm


Title will be released on October 22, 2013.
Pre-order at Amazon.


Wednesday, September 04, 2013

Why Michael Jackson's Legacy is Flourishing

Michael's Legacy will be Immortalised because of his beautiful messages to the planet through his extensive catalog of great art he left for world to enjoy. Couple that with his Estate's willingness to push the envelope, just as Michael did, with creative, innovative ways to present his art to the masses. With Shows like the IMMORTAL World Tour and Michael Jackson ONE we can be assured his music and legacy will continue to flourish for a long, long time. I love the final summary statement in this article about the show and MJ's message to the world. It ties in so well with the first comment and "quote" from Michael about his art. I really do appreciate all the work Joe Vogel has done to honor and pay homage to Michael and Hope you enjoy his article as much as did ~ Qbee



Four Years After Death 'Michael Jackson ONE' 
Shows Why Artist's Legacy Is Flourishing



Michael Jackson would have turned 55 last week. Wherever he is, he must be pleased to see a statement he made to Ebony in his final interview come to fruition: 
"You want what you create to live," he said. "Be it sculpting, painting, music, composition. That is why to escape death I attempt to bind my soul to my work."

Four years after his unexpected death, Jackson's words could hardly be more prescient. His artistic legacy is flourishing. The salacious details of a lengthy, ongoing wrongful-death trial have hardly made a scratch on public opinion (indeed, those who have followed it closely seem to find him more sympathetic and human than he ever was during the final decades of his life). Meanwhile, a new generation of Jackson fans -- added to the considerable global fanbase that grew up with the pop star -- have made him the most influential deceased artist of the 21st century.

Don't believe it? Consider the evidence: Jackson still remains the biggest-selling artist on iTunes; contemporary pop is a virtual homage to the Original Thriller (see Daft Punk, Justin Timberlake, Robin Thicke, Bruno Mars and Jay Z, the latter of which name-checks the King of Pop multiple times on his latest album, Magna Carta, Holy Grail); in 2012, Cirque du Soleil's "Michael Jackson Immortal World Tour" out-grossed the world tours of Lady Gaga, Coldplay and Kanye West, recently surpassing $270 million dollars in global revenues; a critically acclaimed documentary celebrating the 25th anniversary of Jackson's Bad album, directed by Spike Lee, premiered to a standing ovation at the Cannes Film Festival, before airing on ABC in primetime on Thanksgiving night; meanwhile, Jackson is drawing increased attention from scholars and academics, including several new essay collections and a recent course at Duke University by Dr. Mark Anthony Neal entitled "Michael Jackson and the Black Performance Tradition."

Add to this list Cirque du Soleil's remarkable new residency show at Mandalay Bay in Las Vegas, "Michael Jackson ONE." In a special birthday performance on Thursday, August 29th, the achievements previously catalogued were made concrete. Far from the typically superficial sensory onslaught one finds in Vegas, "Michael Jackson ONE" offers a socially conscious, soulful, invigorating experience. By the end of the show, the sold-out crowd -- cross-generational and diverse -- was not only standing and clapping, they were dancing in the aisles.

"Michael Jackson ONE" follows Cirque's record-setting "Michael Jackson Immortal World Tour," which is currently visiting stadiums throughout Asia, before traveling to Australia, New Zealand and eventually South Africa and South America.

Where the "Michael Jackson Immortal World Tour" offered a raucous, exhilarating, if occasionally uneven and unsubtle tribute to the King of Pop, "Michael Jackson ONE" (also written and directed by Jamie King, this time in coordination with Montreal native Welby Altidor) feels like a second draft. The result is a richer, more focused, and evocative show.

A collaboration between Cirque and the Michael Jackson Estate, "Michael Jackson ONE" benefits in numerous ways from its permanent setting in Mandalay Bay's fully-refurbished, state-of-the-art theater (which previously housed "The Lion King"). The audience is literally enveloped by screens and sound, lights and acrobats. The elaborate, baroque-style set was designed by François Séguin and draws inspiration from the cover of Jackson's Dangerous album, "Leave Me Alone" video, and Neverland Ranch. These allusions appropriately highlight both the circus-like elements of Jackson's life in the public spotlight as well as the eccentric spirit that embraced what Mikhail Bakhtin described as the "carnivalesque" -- a communal creativity that dissolves hierarchies of race, gender, class and nation.

Indeed, part of what makes the show so effective is the tension it allows to develop between the parasitic and the dialogic. The show's antagonistic presence is the faceless and amoral Mephisto, a techno-media-amalgam -- composed of TVs, cameras, microphones, surveillance equipment, and probing tentacles -- that brings freshly updated dimensions to Faust's soul-seducing Mephistopheles. Mephisto not only represents the perilous industry Jackson confronted as a star since the age of nine, but the Information Age-apparatuses of power and exploitation that threaten to consume us all.



Yet this is hardly a simplistic retreat into Luddite romanticism. Jackson, after all, fully embraced new media and technology in his own work, revolutionizing the use of studio technology and the medium of the short film. Cirque's show appropriately follows suit. The first thing one notices walking in the theater is the presence of massive audiovisual walls on the stage and to the sides of the theater that project images of Jackson's iconic videos throughout the show.

The sonic experience is similarly breathtaking. Jackson's multi-tracks are masterfully arranged by musical director Kevin Antunes, who alternately pares down production to isolate elements of a song, fuses related tracks, and adds slight variations, dramatic pauses and interaction with the live performers, to give the music a freshness and vitality. It doesn't hurt, of course, that sound designer Jonathan Deans allows us to hear all of this through over 5,500 speakers, strategically positioned on all sides of the audience, including on the backs of seats, to maximize the sonic effect. When the bass line hits on "Billie Jean" you don't just hear it, you feel it.

The cutting-edge technology, however, rarely overwhelms the content. In one of the most moving moments, a ten-year-old Jackson sings "I'll Be There" from the pages of a photo book with no bells and whistles. Hearing the piercing purity of his voice in such clarity, accompanied by 1970s Soul Power-era images of young Michael and the Jackson 5, not only reminds of his transcendent talent, but of his cultural import as perhaps the most famous black boy to grow up in front of America's collective eyes.

In many ways, traveling through Jackson's catalog in the show is like traveling through social history. In "Bad" we find ourselves in a 1980s graffitized urban subway station, with imaging that reminds of the ravaging of cities in the Reagan era as well as the birth of hip hop. In the politically charged 1990s-era street anthem, "They Don't Care About Us," a montage of disturbing images --Ku Klux Klan rallies, the Rodney King beating, victims of AIDS, poverty and war, and environmental destruction--accompanies Jackson's fierce lyrical missive on behalf of the oppressed. Seeing an image of Martin Luther King, Jr., who gave his "I Have a Dream Speech" when Jackson was just five years old, as we hear the line, "If Martin Luther was living, he would not let this be!"--was a particularly poignant moment, especially coming just a day after the fifty-year anniversary of the March on Washington.

The show did contain a few missed opportunities. Perhaps the weakest number was "Wanna Be Startin' Somethin.'" One of the strongest acts in "Immortal" (which captured all of the song's frenetic, tribal, transnational energy), it is reduced in "ONE" to a rather mundane hat-juggling act. Another omission came in the otherwise fantastic "Billie Jean." Where other songs with iconic imagery--"Thriller," "Bad"--featured images of Jackson in the expected context, "Billie Jean" uses extensive video footage of Jackson in the 90s, rather than in the defining moment of his career: his performance of "Billie Jean" for Motown 25 in 1983.

But these are minor qualms for a show that succeeds rather miraculously in not simply showcasing, but immersing the audience in the genius, depth and breadth of Jackson's artistry. Brilliant touches abound, from the Chaplin-inflected homages in "Smile" and "Workin' Day and Night" to the phenomenal acrobatics and choreography of "Smooth Criminal" and "Thriller."



In one of several goosebumps moments, snowflakes fall down on the audience as Jackson delivers the haunting lyrics to "Stranger in Moscow," accompanied by an African moon goddess. On the screen, apparitional images appear of Katherine Jackson, Diana Ross, Elizabeth Taylor, and finally Jackson himself, exclaiming out of the void, "I'm livin' lonely! I'm livin' lonely, baby!" 

The show climaxes with Jackson appearing as an uncannily lifelike illusion/hologram on stage, empowering the "four misfits" who have sought him throughout the show in a sublime rendition of "Man in the Mirror." To this point, Jackson has appeared in video fragments, songs, whispers, laughs, silhouettes, dance moves, but he is finally "revealed," significantly, in a song that encourages the characters (and by extension, the audience) to discover their own meaning in Michael's creative life and work.

In the end, then, the medium is not the message, as Marshall McLuhan would have it. The artist is the message. It is the qualities that Jackson represents in the show--compassion, sensitivity to the vulnerable, social justice and equality--that battle against the mercenary machinery of Mephisto.
Not the trivial message one expects to find at a show in Las Vegas, or in contemporary pop music for that matter. But then, this was Jackson's expressed plan to "escape death" all along--it was no mere Siegfried and Roy magic trick; it was to make art that mattered, that spoke to people, that carried in it his "soul" long after he passed on.

"Michael Jackson ONE" offers the latest proof that in spite of ongoing attempts to reduce him to a tabloid caricature, the King of Pop beats on against the current in the vitality of his work.


Source: http://www.huffingtonpost.com/joe-vogel/michael-jackson-one_b_3853407.html

Follow Joe Vogel on Twitter: www.twitter.com/joevogel1

Saturday, August 31, 2013

Michael Jackson collaborator skirts tabloid fodder and offers personal insight into the man and his music

A very nice article about Brad Sundberg's relationship with Michael Jackson and his ongoing seminars, that have gotten rave reviews by the fans.  You can also follow Brad's Facebook page, where he posts interesting stories, rare pictures and updates on his seminars. ~ Qbee 


Essential Michael Jackson seminar humanizes one of pop’s biggest enigmas

 
 
 
No more drama; Jackson collaborator skirts tabloid fodder and offers personal insight into the man and his music
 

Brad Sundberg first met Michael Jackson at some point in 1984. Sundberg can’t remember the specific moment the two first interacted – he figures it happened while they passed in a hallway – but even at that relatively early stage in the King of Pop’s career, Jackson was “this almost untouchable superstar” coming off the enormous success of 1982’s Thriller and his prominent role in MTV’s rise to cultural juggernaut. Thanks to some good fortune while working at Westlake Recording Studios – a West Hollywood, Calif., studio frequented by Jackson – the Santa Cruz-bred Sundberg went from being a studio runner to apprenticing with producers Bruce Swedien and Quincy Jones as they collaborated with Jackson on what would eventually become 1987’s Bad. Sundberg soon stopped attending recording school at night to sit in and observe these men at work, in time becoming part of Jackson’s inner circle.
 
“I went to New York when we kicked off the U.S. leg of the Bad tour, and I was standing backstage 50-60 feet away from him watching him perform, and I’m kind of looking at my wife going, ‘Who is that?’” says the Windermere-based Sundberg, 49, who today oversees BSUN Media Systems, a company specializing in home entertainment systems. “It was such a dynamic, explosive performance that he put out, and back in the studio, it’s just Michael. One on one, he’s just Michael.”
 
Since June 2012, Sundberg has been revisiting his professional and personal experiences with Jackson for an ongoing audiovisual seminar series called “In the Studio With Michael Jackson.” Until around 2002, Sundberg worked on and off with Jackson on various projects, including albums (such as Bad and 1991’s Dangerous), remixes, short films and custom equipment installations at Neverland Valley Ranch.
 
The Orlando edition of the seminar – which has also or will run in Paris, New York, Stockholm and Toronto – will consist of Sundberg discussing Jackson-related topics for about five hours in detail, supplementing the conversation with materials like home videos and studio outtakes. “If anything, I try to make Michael more human and somebody that you can see is kind of a cool guy to hang around,” Sundberg says. His seminar’s $199 ticket also covers a catered dinner similar to the weekly family-style dinners Jackson would arrange so the singer, his crew and his crew’s families could spend some downtime together.
 
Jackson’s legacy, of course, is connected to heavily publicized controversies and bizarre arcana as much as it is to his music, but Sundberg’s project purposely skirts tabloid-friendly fodder. “[The seminar] didn’t have a grand plan in the beginning. The ground rules were [that] we didn’t care about plastic surgeries or allegations. Leave that outside,” he says. “It’s not my job to go around and change everybody’s mind [on him], but I think people are just tired of the endless barrage of jokes and negative [comments]. Some people would rather just dig down a little bit and go, ‘Let’s hear some of the music that he created and the stories behind it,’ and that’s what the seminar is about.”
 

Source: Orlando Weekly article by Reyan Ali 
 
 
IN THE STUDIO WITH MICHAEL JACKSON  inthestudiowithmj.ticketbud.com | $199
Four studio albums.  Countless sessions.  Video mixes.  Dance mixes.  Three world tours.  A ranch called "Neverland."  This was Brad Sundberg's life and career for nearly 18 years, working closely with the King of Pop himself, Michael Jackson.  This is your chance to hear of the music, the stories behind the music, and what it was like to be a part of Michael's team.  This is a one-of-a-kind music, photo and video-filled seminar.

Sunday, July 28, 2013

Michael Jackson, The Addict ?


Being an an addict or drug dependent person doesn't mean the person is always a practicing addict or using and taking drugs. It Just means they have addiction or dependency health issues and can easily relapse back into that behaviour. Addiction is an illness, not a question of ones character. 

Michael himself admitted he had a problem with addiction and dependency in 1993 and with the help of his good friend Elizabeth Taylor checked into a rehabilitation center.


Sadly MJ would never be afforded the opportunity to attend a 12 step program group or similar programs to continue therapy and help . (He was too famous to have privacy in doing that) But one of the Drs' testified that Michael was given and following a 12 step program along with his narcan implant and he said it was helping him at that time.


We heard from several Doctors that Michael reached out for help and didn't want to be dependent on these pain medications. We know he wasn't always taking these drugs and was successful many times in getting free from them. but the sad truth is, because of his Great fame he wasn't able to get the proper help that is afforded to so many millions of others who also suffer from addiction or dependency. He was alone in fighting his battles. Michael said sometimes he felt like the loneliest person in this world. I believe he was most of the time, because of his great fame, he was alienated from the world and so many things we take for granted.


Based on evidence presented, Michael wasn't abusing pain medications in the later years of his life and at death his autopsy didn't show any signs of abuse from prescription drugs or any recreational drugs.


Regardless this has NOTHING to do with who he was as a person, as a humanitarian, Great artist and entertainer. With all the trials and tribulation he faced these are indeed awesome accomplishments, which should be awarded, lauded and applauded. 


Michael Jackson was a very kind, generous, gentle, genius and artist. The best entertainer to ever grace this planet with with childlike heart of gold to match... and truth be told,

 The World at large Loves Michael Jackson and always will. 


They drew a Line to shut him out - Heretic , rebel, a thing to flout.
But love and he had the wit to win: He drew a circle and took them In"


Paraphrased From the poem " Outwitted” 

~ Edwin Markham

Thursday, July 11, 2013

Michael Jackson Fans Scream For Justice with Open Letter to the media


Open Letter: Tired of Schemes: Michael Jackson Fans Scream For Justice



To the members of the media,



Re: The Sunday People’s Michael Jackson Fabricated Stories


A few days ago, The Sunday People, a well-known British tabloid, published a misleading and titillating report stating that Michael Jackson had paid off dozens of boys to keep quiet about abuse they suffered at his hands. The Sunday People cited the Federal Bureau of Investigation (FBI) as their source for these incredulous allegations, and very quickly, media outlets around the world (from People Magazine to Huffington Post) have copied and pasted the fabricated story without first vetting it. Had they read the story before pasting it onto their   own sites or papers, many would have noticed the inconsistencies in the Sunday People's story. Roger Friedman pointed this out first, while it took CNN mere days to debunk the original piece.


Following CNN’s lead, several legitimate media have since come out and challenged or dismissed The People Sunday’s fabricated FBI stories. These allegations are categorically false. The ONLY Michael Jackson files, which the FBI published a few months after his death in 2009, DO NOT corroborate the tabloid’s stories.Tom Mesereau, Jackson’s lead defense attorney in the 2005 molestation trial, confirmed this point, as he read Jackson’s released FBI files and none of the claims reported in the Sunday People, were true.


In fact, these very stories date back several decades.They were first published by another tabloid over two decades ago, only to be disproven by a handful of ethical journalists and Jackson’s activist fans. The People Sunday’s faux-FBI files are nothing more than statements made by a Jackson’s disgruntled ex-employee, who admitted on tape to fabricating and selling his stories to the tabloids. In addition, this former employee admitted to embellishing his version of events, based on how much the tabloids were willing to pay. The more outlandish the stories, the more money they would collect. Quite simply, The Sunday People have recycled an already debunked story from decades ago.


The Michael Jackson fan community will no longer turn a blind eye to these blatantlies, and outlandish stories. The lack of journalistic integrity coupled with the need for website hits and fierce competition for ad revenue, have allowed the media to forgo ethics for profit. This “break the news first and vet the story later” attitude is irresponsible, reprehensible and does a great disservice to the public and the profession.


We implore the media to apply due diligence and restore some level of integrity in their news coverage. Allow the public to have some confidence that the stories we are reading from our favorite newspapers, magazines or websites were vetted...not fabricated. If the tabloids continue to knowingly publish false stories about Michael Jackson, his fans will have no other choice than to contact their bottom line; their sponsors, advertisers and ultimately, their profit.



 Signed by the following seventy-two (72) Michael Jackson fan organizations











PDF File
https://www.dropbox.com/s/j84hff6js8tp115/Open%20Letter%20To%20Media%20Outlets%20FINAL.pdf


Join the discussion at MJJCommunity.com



Thursday, July 04, 2013

'Recycled tabloid reports' of secret Michael Jackson 'FBI files' questionable

Great to see the media come forward in defense of Michael.  A few journalist have been stepping up, hopefully more will come forward  to refute the bogus claims originating in Sunday People article. Seem it's a never ending battle for Michael's  fans.  It's not fun growing  rhinoceros skin, (our armour) but  with each battle we become stronger and more resolved in defending his innocence.  We come fully armed with facts and historical archives. To refute the lies and teach the Tabloid Junkies  who have been blinded  from the truth for years.  I feel hopeful seeing many comments on various articles from the general public, who also believe in Michael and grow tired  of the endless bogus attacks on him .  The tabloids and yellow media do  not represent the hearts of the people and as I stated  many times. The truth is "The World Loves Michael Jackson" ~ Qbee


"Lies run sprints, the truth runs marathons." ~ Michael Jackson

Tabloid report on Michael Jackson 'FBI files' questioned

By Alan Duke, CNN


STORY HIGHLIGHTS

* CNN's Drew Griffin: "None of this is new -- zero -- and there was no FBI involvement"

* "This stuff was not in the FBI files," former Jackson lawyer Tom Mesereau says


* "The paper took this old story and (made) it seem new," journalist Diane Dimond says


* A former porn actor whose investigator's license was revoked is linked to the material



Los Angeles (CNN) -- A London tabloid declared Sunday that "secret FBI files" reveal Michael Jackson paid millions to silence dozens of boys he abused.

The story quickly echoed throughout global media, perhaps in part because of the trial of the Jackson family's wrongful death lawsuit against a concert promoter and the recent suicide attempt by Jackson's teenage daughter.

A website can enjoy a sharp spike in traffic -- which can translate into advertising revenue -- with a sensational headline.

But journalists and others who have closely followed the controversies and legal fights surrounding the pop star found the description by the Sunday People newspaper of the documents as being from FBI files to be questionable.

'Recycled tabloid reports'

"None of this is new -- zero -- and there was no FBI involvement," said CNN Special Investigations reporter Drew Griffin. "It just sounds like recycled tabloid reports from 20 years ago."

Griffin saw and reported on the same material more than a decade ago as a local Los Angeles reporter.

"The bottom line is this stuff was not in the FBI files," said Tom Mesereau, the lawyer who successfully defended Jackson against child molestation charges in a lengthy trial in 2005. "The FBI closed the investigation. It sounds like a bunch of utter nonsense."

Journalist Diane Dimond, who is no defender of the pop icon, also attacked the Sunday People article.

"It is obvious the paper took this old story and proceeded to make it seem new by adding numbers to it -- 24 boys paid off $35 million by Michael Jackson," Dimond said. "The problem is there's no evidence to back up the claim that Jackson made that many payoffs."

Dimond's book "Be Careful Who You Love: Inside the Michael Jackson Case" details her coverage of allegations of improper relationships between Jackson and boys.

The tabloid report was published at a critical time for the Jackson family, as its wrongful death lawsuit against a concert promoter entered its 10th week and while Jackson's daughter, Paris, is being treated after a reported suicide attempt.

"The files will also dismay *****'s kids, Prince, 16, Paris, 15, and 11-year-old Blanket, who have not yet come to terms with losing their father," the Sunday People story said.

Michael Jackson considered the British tabloids' use of "*****" to be a derogatory term.

Griffin, Dimond and Mesereau each point to Paul Barresi, a former porn actor who lost his private investigator's license for fabricating evidence, as the person who possessed the material published Sunday.

It included an audio recording of an interview done by Jim Mitteager, a reporter with the U.S.-based Globe tabloid, with a couple who worked as chefs at Jackson's Neverland Ranch. Mitteager left the tape to Baressi when he died of cancer in 1997.

"Paul Barresi made it no secret over the years that he had come into possession of the Mitteager tapes and that they included a long interview with Philip and Stella LeMarque, the former live-in couple at Neverland," Dimond said. "He discussed the tapes and their contents with me on several occasions."

Griffin said Barresi also gave him access to the material years ago. It included reports Barresi wrote when he worked for now-disgraced celebrity investigator Anthony Pellicano. Pellicano is serving a 15-year federal prison sentence for a wiretapping and racketeering convictions.

Porn star turned P.I.

"Since Barresi has fairly recently been stripped of his P.I.'s license, I can imagine that money has been tight for him," Dimond said. "My best guess is that the UK paper offered Mr. Barresi several thousand dollars for his copies of the old Pellicano files."

When CNN called Barresi on Tuesday to ask if he sold the materials to the newspaper, he responded: "I have no comment and that's all I have to say."

But before the question could be posed, he asked if the reporter wanted to know how many times he's had sex in a hammock. He explained it was a common question people ask because of his porn film career.

Barresi's films, with titles such as "Married Men with Men on the Side" and "Leather Bears and Smooth Chested Huskies," won him the X-Rated Critics' award for best "group grope scene" in 1985 and he was inducted into the GayVN's Hall of Fame in 2008.

Barresi, now 60, retired from the porn business to focus more on his investigative work, but court records suggest he was not as successful in that work.

He obtained a California private investigator's license in 2009, but lost it three years later. He signed a "stipulated settlement" with the state admitting that he faked a report about an ex-girlfriend's drug use to get her fired from her hospital job as a nurse in 2011.

Federal court records also show Barresi and his wife filed for Chapter 7 bankruptcy in 2010.

Tabloid stands by story

A Sunday People spokesman would not confirm that Barresi was the paper's source or if it paid for access, but he did stand by the story.

"Our article clearly states that we have seen copies of reports, phone transcripts and interviews carried out by an agent working for private investigator Anthony Pellicano who had been hired by Michael Jackson," Rupert Smith said in an e-mail to CNN. "The files were seized by the FBI when Pellicano was himself investigated in 2002. The documents then became part of the FBI's files on Jackson case numbers CADCE MJ-02463 and CR 01046."

In fact, the FBI released files it collected on Michael Jackson in December 2009, six months after his death. Most of them related to the federal agency's support of the California investigations of child molestation allegations against the entertainer.

Los Angeles Police, who were investigating child molestation allegations against Jackson, called the FBI's Los Angeles office in September 1993 to suggest the agency look into a "possible federal violation against Jackson concerning transportation of a minor across state lines for immoral purposes (Mann Act)", one document said.

The Los Angeles County district attorney did not pursue criminal charges against Jackson, but the singer did reach a confidential financial settlement with the 1993 accuser, Jordan Chandler, and his father after they filed a lawsuit. Reports at the time said the Chandlers got between $16 million and $20 million from Jackson's insurance company.

The Chandler accusation became a key part of the prosecution's case when Jackson was tried and acquitted of molestation a decade later in Santa Barbara County, California.

Mesereau, who reviewed the 330 redacted pages released by the FBI, said the documents purported by the newspaper to have been included in the files were not there.

CNN also reviewed the files, which are still posted on the FBI website, and found none referring to other payoffs by Jackson. None of the file numbers matched those quoted by the newspaper.

"You can imagine what the prosecutor in Santa Barbara would have done with this information if they really had it," Mesereau said.

Phillip LeMarque did testify, telling the court that he once caught Jackson improperly touching then-child actor Macaulay Culkin while he worked as Jackson's self-described cook and "majordomo" for about 10 months in 1991.

Culkin, the second witness called in Jackson's defense, denied any improper touching by Jackson.

Jackson's guilt is 'inconsequential'
Barresi represented the LaMarques in an attempt to sell their story to tabloid media outlets, Mesereau said.

LeMarque admitted at the trial that he tried to make money from his story, even meeting with Barresi, who promised him $100,000 from the tabloid press, maybe more if the story were dirtier.

"He began to make the story more and more graphic as the price went up," Mesereau said, referring to Phillip LaMarque.

"Was it true that the broker told him the payoff might be higher if Mr. Jackson's hand was inside Culkin's pants?" Mesereau asked during cross examination.

"That's what he said," LeMarque said.

Barresi discussed his deal with the LaMarques in an interview for a PBS "Frontline" documentary in 1994.

"My interest in helping them was that they promised me a percentage of what they made," Baressi said. "I was not on any kind of crusade to bring anyone to justice. Whether Michael was guilty or innocent at that point was inconsequential. My interest was strictly for the money, as was theirs, I might add."

http://edition.cnn.com/2013/07/03/showbiz/michael-jackson-files/?hpt=en_c2


You can join the discussion at MJJCommunity's  Trials and Tribulations forum
http://www.mjjcommunity.com

Tuesday, June 25, 2013

Michael Jackson * Sleep In Your Eternal Peace * June 25 2013

 R.I.P Michael Jackson 

August 29 1958 - June 25  2009

"They Won't Go When I Go" 




They Won't Go When I Go 

Wanting tragic ends
Though they do pretend
They won't go when i go

All those bleeding hearts
With sorrows to impart
Were right here from the start
And they won't go when i go

And i'll go where i've longed
To go so long
Away from tears

Gone from painful cries
Away from saddened eyes
Along with him i'll bide
Because they won't go when i go

Big men feeling small
Weak ones standing tall
I will watch them fall
They won't go when i go

And i'll go where i've longed
To go so long
Away from tears

Unclean minds mislead the pure
The innocent will leave for sure
For them there is a resting place
People sinning just for fun
They will never see the sun
For they can never show their faces
There ain't no room for the hopeless sinner
Who will take more than he will give
He ain't hardly gonna give

The greed of man will be
Far away from me
And my soul will be free
They won't go when i go

Since my soul conceived
All that i believe
The kingdom i will see
'Cause they won't go when i go

When i go
Where i'll go
No one can keep me
From my destiny

13,477 Long stem Red Roses have arrived at Forest Lawn, to Honor Michael Jackson


13,477 Long stem Red Roses have arrived at Forest Lawn, to Honor Michael Jackson on June 25th, the 4th anniversary of his passing. The Roses A gift from his fans from all over the world, were purchased seperately by fans through the OneRose4MJJ campaign.
 
To carry on his charitable legacy, MJ Fans have also built and funded a childrens home in Liberia called "Everland" and have started on a second orphange in Haiti, as well as the charities OneRos4MJJ sponsors, that raise money for St. Judes Hospital, Unicef and the Vitiligo foundation.  


  "Heal The World" "Be God's Glow" "I Love you more"
"Ill never stop loving and caring for people the way Jesus said to"

  Michael Jackson. August 29 1958 - June 25th 2009